“I need to get home. That’s all I care about right now.”

‘    i’m working on it,  i  promise  you that,  but you gotta give me  SOMETHING.    ’

it’s the bottom of the ninth.  he isn’t just being implicated anymore :  they’re fighting to pin a murder on him,  &  the prosecution is out for  blood.  one cop saying he’s innocent won’t hold up without concrete proof,  an ironclad alibi,  anything.  the window of opportunity to plead his case is almost shut.

they’ll try him as an adult.  twenty - five to life is the best case scenario,  here,  assuming they don’t shoot for  life without parole  –––––––  or worse.

❪   she told him she’d never let that happen.   ❫

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‘    what about your friend,  uh  —    ’      case file flipped open,  the name pops up after a few seconds of diligent skimming.      ‘    mbege.  you said he was with you that day,  right ?  think he’d testify ?    ’

inception starters.  // accepting !

“Pain is in the mind.”
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‘    ––––––  yeah,  sure it is.  that’s your thing,  huh ?  mind over matter ?  seems kinda  zen  for a guy in your position,  don’t you think ?    ’

a tic of her jaw,  steel gaze leveled as she swaps out her glock for a pair of handcuffs.  everything they have is arguably  circumstantial  at this point,  but it’s enough for probable cause ;  more than enough to bring him in,  &  that’s all she needs.  metal snaps against wrists,  a satisfying  click  as the mechanism locks.  one hand braces against his forearm while the other presses into his shoulder to steer him towards her car.

‘    save it for the interrogation room,  gandhi.  you’re coming with me.    ’

inception starters.  // accepting !

“You infected my mind.”

‘    what does that mean ?  hey  —  talk to me.    ’

a last - ditch effort to gain a little traction,  but he’s looking at her like she committed the ultimate breach of trust  &  it’s  terrifying.      ❪   maybe he’s telling the truth.  maybe he’s been telling the truth all this time like he said he would  &  she was too obstinate to allow even a hypothetical scenario in which it could be real.  when i see something i can’t explain,  yeah,  i look for answers.  he bled when her bullet grazed him,  just like anyone else would.  the devil doesn’t bleed,  right ?  the devil doesn’t exist.  maybe  –––––––   ❫

do i scare you ?

no.

‘    lucifer.    ’

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maybe none of it matters,  because at the end of the day none of it changes what  DOES :  he’s made quite the lasting impression.  somewhere along the line,  he managed to get under her skin in a way that she just can’t seem to shake.  &  she cares.  probably more than she should.  it won’t end well for  either  of them.

she takes one cautious step towards him,  a measured approach,  testing the waters ;  he’s never looked at her like this before.  she doesn’t like it.  can’t reconcile the man in front of her with the man who’s  HAD HER BACK  at almost every turn for the last seven months.

‘    okay.  let’s say i believe you.    ’

three feet away  &  she stays put,  doesn’t break eye contact.

‘    let’s say  —  you really are who you say you are.  start there.  now are you gonna tell me what’s got you so scared,  or do we have to keep going in circles ‘til i figure it out myself ?    ’

inception starters.  // accepting !

“I’m insured against kidnapping for up to 10 million.”
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‘    can you  —  can you at least  PRETEND  to be taking this seriously ?    ’

it never fails :  back to the grindstone for a matter of minutes  &  he’s already on his third punchline.  nothing she hasn’t grown accustomed to,  except for the fact that he’s been trailing after her like a puppy for the past couple of weeks,  complaining,  quipping,  &  babbling in that way people do when they’re nervous.      ❪   not for a lack of trying,  but he  STILL  won’t tell her what’s wrong.   ❫

she ducks her head as she side - steps him,  mostly to hide an exasperated smile that isn’t  —  in spite of her best efforts  —  without a dash of genuine fondness.

actually,  she almost laughs.

‘    i think you’re safe,  anyway.  nobody wants to kidnap a guy who never  shuts up.    ’

inception starters.  // accepting !

“ don’t leave. ”

‘    okay,  you know what ?  that’s it.  i have been walking on eggshells with you for  WEEKS  now,  just hoping that  MAYBE  you’d come around  &  actually  tell me  what’s wrong instead of  —  instead of shutting me out,  &  i am  done.  what the  hell  is going on with you,  lucifer ?  i mean,  what could possibly be so terrible that you can’t even  TALK  to me ??    ’

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her voice raises without breaking into a full - blown shout,  but there’s an edge of desperation to it that makes her physically cringe.  she’s frustrated ;  even more than that,  she’s  WORRIED.  &  worry manifests into something that feels a lot like fear,  because it dries her throat  &  leaves a leaden pit in her stomach every time she looks at him.  i will never lie to you.  he told her that months ago.  lying by omission isn’t better. 

it’s almost  worse.

‘    i’m sorry,  i’m  –––––––    ’      a long,  leveled breath is drawn in  &  released.  tone softens,  quietly distills as concern settles itself into the crease between furrowed brows.  three tentative steps close the literal distance between them while doing  nothing  to span the metaphorical.      ‘    i just mean  —  you can trust me.  i shouldn’t have to tell you that.  &  this  —  whatever this is  —  i want to help.    ’

the rest is unsaid,  writ in steady eye contact :

i’m not going anywhere.

two word starters.  // accepting !

“ kiss me. ”

‘    nice try.    ’      UNBELIEVABLE.  if she has to give him credit for anything,  it’s his determination.  she repositions on the couch,  angled so that her back presses against the armrest  &  she can face him fully.  dinner was a stilted affair,  forced civility between him  &  the still colorfully named  detective douche,  any awkward lulls in conversation reliably filled by trixie’s innocent chatter.  dan left before dessert.  there’s a nagging voice in the back of her mind that says  call him,  check in,  but the pinot grigio makes it a hell of a lot simpler to focus on what’s in front of her.

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‘    wait.  so,  i say i  owe  you one  &  you  —  let me see if i’m getting this right.    ’      she’s too sober to account for the swell of laughter that builds in her chest,  the smile pulling at each corner of her mouth  &  the way a hand lifts to cover it.      ‘    out of   everything  you could ask for,  THIS  is the favor you’re calling in ?    ’

oddly endearing in its childishness,  a decisive step down from the innuendos  &  recurring attempts to get her into bed that,  at some point,  started to feel like a  TEST  of her own resolve.  it’s a shadowy line.  they toe the edge every day.  you can’t deny that there’s a connection between us.

maybe,  then,  a  test  is the whole point.  like a first date  —  not that she’d call this a date :  most of the time you know  before  the kiss,  but sometimes that’s what it takes.  a definitive yes or no.  smile fades,  eyes achingly bright,  she’s looking right at him  &  she  still  can’t figure him out,  even now,  even after getting this far  &  establishing this  TRUST  that doesn’t come easily.  she’s letting her guard down,  again.

‘   –––––––  okay.   ’

a softer tone than before.  less  self - assured.  she leans in,  smells the subtle musk of cologne  &  the sweet residue of his last drink that somehow  DOESN’T  turn her stomach.  absurd,  vexing,  like so much about him.

leans in an inch further.  she isn’t drunk this time.

she’s almost  too  clearheaded. 

there are no fireworks when their mouths finally meet,  no orchestral crescendo :  but it’s  warm.  somehow impossibly familiar.  nothing hesitant,  nothing clumsy or uncertain.  lips part  &  it’s an open invitation to keep going.  truth be told,  it’s  better  than she expected.

he won’t let her live this one down.

two word starters.  // accepting !

“ be careful. ”
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‘    yeah ?  why’s that ?    ’      in the interim,  she does a visual sweep of a girl who definitely hadn’t shown up in their pool of suspects.  but it’s a cryptic remark,  enough to give chloe pause  &  the distinctly unwelcome sensation that she’s  MISSING SOMETHING.  her badge clears its holster,  held up briefly as a wordless identification.  she can’t afford to leave any stone unturned,  no matter how innocuous.

‘    ––––––  what’d you say your name was,  again ?    ’

two word starters.  // accepting !

“ you’re perfect. ”

‘    no,  i’m  –––––––  really  not.    ’

her face is starting to feel warm,  but she’ll blame that on half a glass of wine  &  not enough central AC.  they’re still walking this tightrope that’s as maddening as it is comforting,  &  she’s running pretty low on excuses of the  WHY NOT  kind.  then it starts to feel warm  everywhere  until she has to look away,  smile into her glass,  reflect in that half - drunk,  half - sober way that either illustrates poor judgment or the only time things have any clarity.  she hasn’t decided.

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‘    i don’t know what it is about you.    ’

pondered thoughtfully,  unexpectedly,  with no real prompt for the sentiment.  words often come a little easier,  with a little more  VULNERABILITY,  at times like this.  when it’s quiet.  when there’s no one around but the two of them.

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‘    i mean,  you’re clearly nuts.    ’      teasing,  a turn of her head to smile instead across the finite space between her  &  him.      ‘    you are  —  INFURIATING,  on a good day.  but for some reason,  it’s like  —  most of the time you’re the only person who has my back.  the only person i can  trust.  is that crazy ?    ’

two word starters.  // accepting !

“ don’t shoot! ” (i hope it's okay i sent this??? i'll get to ur starter soon)
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‘    don’t move,  hands where i can see ‘em !    ’

adrenaline is familiar :  that’s not what stops her cold.  he’s a  KID.  she’s gotten this far in the force by the skin of her teeth,  by working her ass off  —  &  by trusting her instincts,  for better or worse.  something about this entire case has felt  OFF  from the jump,  just like palmetto.  molars grind,  a hard breath exhaled through her nose,  &  she begins to lower the gun.  slowly.

keeps a solid grip on it with one hand,  blue eyes fixed on this  TEENAGE BOY  whose demeanor doesn’t exactly scream  cold - blooded killer.  free hand moves to her radio before the cavalry can bust in.

‘    false alarm.  he’s not our guy.    ’

all signs,  in fact,  point to this near - disaster being a prime example of  WRONG PLACE,  WRONG TIME.  shoulders relax,  gaze narrowing.      ‘   so you wanna tell me what the hell you’re doing in here ?   ’

two word starters.  // accepting !

“ you need to go. ”

liquor burns the throat  &  dulls perception ;  takes the edge off,  as the old cliché goes.  she doesn’t even particularly  like  whiskey,  but nothing else cuts through this persistent tension she can’t name.  now,  not even that seems to work.  she knocks back another sip to empty the glass,  tells herself to get up  &  walk out despite the discrepancy between brain  &  limbs.

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when did she grow so fucking dependent ?  she’s supposed to have  THICKER SKIN.  here comes the grimace.

‘    sure.  i can take a hint.    ’      still,  she hasn’t moved from the barstool.  swivels a little  —  &  sways  —  to look at him.      ‘    what i  CAN’T  figure out is why you’ve suddenly got a  stick  up your ass.    ’

four word starters.  // accepting !