IND. CHLOE DECKER OF FOX'S LUCIFER. PRIVATE, SELECTIVE, EXCLUSIVE. ESTABLISHED JULY 2016. WRITTEN BY BECCA, SHE/HER, CST. PAGES UNDER CO !
ARE YOU AT ALL AWARE OF HOW DICKISH YOU SOUND?
01. I CLAIM NO CREATIVE LICENSE OVER FOX'S TELEVISION SHOW 'LUCIFER,' ITS ORIGINAL FRANCHISE, OR ANY OF ITS AFFILIATES. THIS BLOG IS FOR ROLEPLAYING PURPOSES ONLY.
02. NO PLAGIARISM, FORCED SHIPS, GODMODDING, METAGAMING, HATE, ETC. KEEP IT CLEAN.
03. I MAKE ALL MY ICONS. PLEASE DON'T TAKE THEM.
04. I TAG BASIC TRIGGERS, BUT DON'T HESITATE TO LET ME KNOW IF YOU NEED ME TO TAG SOMETHING FOR YOU. PLEASE TRY TO TAG YOUR NSFW, ANIMAL ABUSE, LIVEBLOGGING, AND SPIDERS. sidenote, IF YOUR BLOG CONTAINS ANY CONTENT RELATING TO EATING DISORDERS OR DOMESTIC VIOLENCE, I WON'T FOLLOW OR INTERACT WITH YOU.
05. MUN IS 22, MUSE IS A GROWN ASS WOMAN. I TAG MY NSFW. WHILE I'M DOWN TO EXPLOER DARKER THEMES WITH MINORS, I'M DEF NOT COMFORTABLE WRITING ANY KIND OF SEXUAL ANYTHING WITH ANYONE UNDER 18.
06. MUTUALS ARE ALWAYS WELCOME TO TURN MEMES INTO THREADS IF A NEW POST IS MADE - DON'T REBLOG THE ASK!
07. I'M EXTREMELY PICKY ABOUT WHAT I SHIP. CHEMISTRY IS EVERYTHING AND I LIKE TO GET TO KNOW MY WRITING PARTNERS OOC BEFORE I CONSIDER SHIPPING; THIS GOES FOR PLATONIC AND PRE-ESTABLISHED RELATIONSHIPS AS WELL. PLEASE DON'T EVER FORCE A SHIP OR MAKE ASSUMPTIONS ABOUT ANYTHING UNLESS WE'VE TALKED ABOUT IT!
08. SKYPE AND KIK ARE BOTH AVAILABLE TO MUTUALS UPON REQUEST, AND YOU CAN ALWAYS HIT ME UP ON TUMBLR IM. THANKS FOR READING!
NAME : CHLOE DECKER AGE : THIRTY - THREE HEIGHT : FIVE FEET, SIX INCHES WEIGHT : 125 LBS HAIR : DIRTY BLONDE EYES : STRIKING BLUE SEX / GENDER : CIS FEMALE SPECIES : HUMAN LOCATION : LOS ANGELES, CA
FAMILY : PENELOPE DECKER ( MOTHER ), BEATRICE "TRIXIE" ESPINOZA ( DAUGHTER ), DAN ESPINOZA ( EX - HUSBAND ). FATHER'S NAME UNKNOWN ( ALSO A COP ).
SCARS : THROUGH - AND - THROUGH BULLET WOUND UNDERNEATH HER LEFT COLLARBONE ( SHOT BY JIMMY BARNES, SAVED BY LUCIFER MORNINGSTAR. ) .
OCCUPATION : FORMER ACTRESS, CURRENT HOMICIDE DETECTIVE WITH THE LOS ANGELES POLICE DEPARTMENT .
SMILE FALTERS, his light fades. razor wire lies in the spaces between his ribs, & a revelation behind the grit of his teeth. both will tear them apart. he neglects to mention this during the exchange, instead focusing his attention elsewhere, hoping she doesn’t pry.
‘––––– au contraire ! a cocktail of mind games & manipulation might be just what the ex - maggot needs to bypass this tedious process & resume his position as chief of the anti - lucifer fan club. ’
‘ ex - maggot. nice. you know, if he hadn’t turned himself in, YOU’D be the one in custody right now. ’
it’s not quite as cutting a remark as she intends, partially because he’s doing it again : clamming up like he’s got something to hide. & that doesn’t sit right. not after –––––– well. everything, really.
‘ this isn’t a GAME, lucifer. he stole evidence, shot an officer — he’ll be lucky if all they do is take his shield. not only that, but he lied about his involvement with malcolm. & it almost got you killed. ’ a measured breath ; visible agitation. ‘ you really think you can fix this ? i’m all ears. ’
SO SHE’S THE GOOD COP. murphy theorizes they’re always the ones with shorter fuses ; they’re the ones who play pretend, after all. he scoffs, shoulders rising and falling with the motion. ❝ i’ll put it in the suggestion box on my way out. cards, monopoly no, actually, that’d get too violent. ❞ and he pushes, simply because he can.
a slight smile flickers comfortably across her face. no doubt : it’s a solid routine, tried & true. he’s probably done it countless times before, probably with other cops. she doesn’t take the bait — unlike her ex, he won’t get a rise out of her with a few well - delivered barbs. ‘ i’ll bet. my daughter has a real competitive streak, but you wouldn’t know it to look at her. monopoly’s kind of a blood sport. ’
‘ nice try. ’ UNBELIEVABLE. if she has to give him credit for anything, it’s his determination. she repositions on the couch, angled so that her back presses against the armrest & she can face him fully. dinner was a stilted affair, forced civility between him & the still colorfully named detective douche, any awkward lulls in conversation reliably filled by trixie’s innocent chatter. dan left before dessert. there’s a nagging voice in the back of her mind that says call him, check in, but the pinot grigio makes it a hell of a lot simpler to focus on what’s in front of her.
‘ wait. so, i say i owe you one & you — let me see if i’m getting this right. ’ she’s too sober to account for the swell of laughter that builds in her chest, the smile pulling at each corner of her mouth & the way a hand lifts to cover it. ‘ out of everything you could ask for, THIS is the favor you’re calling in ? ’
oddly endearing in its childishness, a decisive step down from the innuendos & recurring attempts to get her into bed that, at some point, started to feel like a TEST of her own resolve. it’s a shadowy line. they toe the edge every day. you can’t deny that there’s a connection between us.
maybe, then, a test is the whole point. like a first date — not that she’d call this a date : most of the time you know before the kiss, but sometimes that’s what it takes. a definitive yes or no. smile fades, eyes achingly bright, she’s looking right at him & she still can’t figure him out, even now, even after getting this far & establishing this TRUST that doesn’t come easily. she’s letting her guard down, again.
‘ ––––––– okay. ’
a softer tone than before. less self - assured. she leans in, smells the subtle musk of cologne & the sweet residue of his last drink that somehow DOESN’T turn her stomach. absurd, vexing, like so much about him.
leans in an inch further. she isn’t drunk this time.
she’s almost too clearheaded.
there are no fireworks when their mouths finally meet, no orchestral crescendo : but it’s warm. somehow impossibly familiar. nothing hesitant, nothing clumsy or uncertain. lips part & it’s an open invitation to keep going. truth be told, it’s better than she expected.
‘ yeah ? why’s that ? ’ in the interim, she does a visual sweep of a girl who definitely hadn’t shown up in their pool of suspects. but it’s a cryptic remark, enough to give chloe pause & the distinctly unwelcome sensation that she’s MISSING SOMETHING. her badge clears its holster, held up briefly as a wordless identification. she can’t afford to leave any stone unturned, no matter how innocuous.
her face is starting to feel warm, but she’ll blame that on half a glass of wine & not enough central AC. they’re still walking this tightrope that’s as maddening as it is comforting, & she’s running pretty low on excuses of the WHY NOT kind. then it starts to feel warm everywhere until she has to look away, smile into her glass, reflect in that half - drunk, half - sober way that either illustrates poor judgment or the only time things have any clarity. she hasn’t decided.
‘ i don’t know what it is about you. ’
pondered thoughtfully, unexpectedly, with no real prompt for the sentiment. words often come a little easier, with a little more VULNERABILITY, at times like this. when it’s quiet. when there’s no one around but the two of them.
‘ i mean, you’re clearly nuts. ’ teasing, a turn of her head to smile instead across the finite space between her & him. ‘ you are — INFURIATING, on a good day. but for some reason, it’s like — most of the time you’re the only person who has my back. the only person i can trust. is that crazy ? ’
“ don’t shoot! ” (i hope it's okay i sent this??? i'll get to ur starter soon)
‘ don’t move, hands where i can see ‘em ! ’
adrenaline is familiar : that’s not what stops her cold. he’s a KID. she’s gotten this far in the force by the skin of her teeth, by working her ass off — & by trusting her instincts, for better or worse. something about this entire case has felt OFF from the jump, just like palmetto. molars grind, a hard breath exhaled through her nose, & she begins to lower the gun. slowly.
keeps a solid grip on it with one hand, blue eyes fixed on this TEENAGE BOY whose demeanor doesn’t exactly scream cold - blooded killer. free hand moves to her radio before the cavalry can bust in.
‘ false alarm. he’s not our guy. ’
all signs, in fact, point to this near - disaster being a prime example of WRONG PLACE, WRONG TIME. shoulders relax, gaze narrowing. ‘ so you wanna tell me what the hell you’re doing in here ? ’
liquor burns the throat & dulls perception ; takes the edge off, as the old cliché goes. she doesn’t even particularly like whiskey, but nothing else cuts through this persistent tension she can’t name. now, not even that seems to work. she knocks back another sip to empty the glass, tells herself to get up & walk out despite the discrepancy between brain & limbs.
when did she grow so fucking dependent ? she’s supposed to have THICKER SKIN. here comes the grimace.
‘ sure. i can take a hint. ’ still, she hasn’t moved from the barstool. swivels a little — & sways — to look at him. ‘ what i CAN’T figure out is why you’ve suddenly got a stick up your ass. ’
‘ yeah. i will. i’m on your side — but, uh. you don’t hear that a lot, huh ? ’ she doesn’t have to be a social worker to recognize the signs ; father out of the picture, mother a negligent drunk, smart kid digging himself into an early grave by his own misguided machinations. ironic, when so much of what he does seems driven by that one base instinct : SURVIVAL. it makes her heartsick.
she recognizes, too, what it must’ve taken for someone like him to consciously reach out & ask for help.
‘ hey. i’ll do everything in my power to get you out of here, but you’re gonna have to TRUST me. & believe me, i know that’s a big deal. ’
he had no qualms mouthing off the last guy who was here, the one to bring him in ; it’s not his first rodeo with the police. he shrugs, extending an arm to usher her in. ❝ here t’ keep me company, or — ? ❞
‘ something like that. ’ technically, she isn’t even allowed to ask him about the WEATHER without breaching protocol. a quick, passing appraisal of the room ; cramped, sparsely furnished, as these places tend to be ; & she aims for an empty chair. ‘ wish i’d brought a deck of cards. ’